House of Flying Daggers: Bamboo sequence notes

House of Flying Daggers: Bamboo sequence analysis notes

CINEMTOGRAPHY:

  • Changing camera angles- mainly low angles POV shots of Mei looking up into the trees
  • Close ups of bamboo splitting 
  • Tracking shot of Mei and Jin running through forest- aligned with the change in protagonists- Jin shows character arch as audience aligns with his POV 
  • POV tracking shot using a hand held camera running through forest – adds to enigma and mystery of the scene as we don’t know who’s POV it is 
  • Closeups of their faces when they are trapped in the bamboo- intimate moment as they are both confined to the same space- at this moment they share a common interest of helping one another 
  • Camera tracks a prop (dagger) similar to lotus seed in opening sequence 
  • Camera tilts/ Dutch angles- disorientating/ confusion shows how Mei is caught off guard 

MISE EN SCENE:

  • Green colour pallet- Jin stands out in his blue/purple robe 
  • HOFD/ Mei wear green costumes- connection with environment and nature – matching it because that wear they feel most at comfort 
  • HOFD costumes blend in with nature- juxtaposition shade of green 
  • Government assassins’ costumes- authority marked by gold symbols on the back of their costumes to shown the government corrupt
  • Bamboo- trapped in a maze/ labyrinth 
  • Mei obscured by the trees to make it feel like they are being spied upon- foreshadows how the HOFD will rescue them
  • Voyeurism – presents an enigma as it is unclear who is spying on who (HOFD or Tang assassins) 
  • Mist- reinforces idea of battle ground. HOFD function outside of society in the peripheral. HOFD outside of scene- its own setting not conformed to society 
  • Close ups of characters framed within triangles and lines- trapped 
  • Triangular imagery- connote swords and blades 

SOUND:

  • Close sonic perspective of Mei breathing heavily- links back to action sequences/ align with Mei 
  • Close sonic perspective bamboo echoing 
  • Close sonic perspective sword chopping bamboo 
  • High pitched whistling of flute- Chinese traditional music culture and links to opening sequence 
  • Exaggerated sound to enhance sound of bamboo- environmental sounds 
  • Conflict in sound- environmental sounds/ unnatural mental sounds 
  • Rhythm 

PERFORMANCE: 

  •  Highly choreographed- mirrors opening dance sequence 
  • The government assassins are very robotic and all look similar/ dressed in same uniform- shows lack of freedom and expression in the dynasty/ dehumanisation 
  • Consistent and collaborative element to the choreography
  • Pained expression on Mei’s face- has to maintain her façade as she faces death- not be able to look Jin in the eyes or tell him the truth 
  • Mei maintains façade of her blindness- She is loyal to HOFD and is resilient towards their cause 
  • Mei has had her gaze taken away- taking away her independence to cast her own gaze upon her suroundings and women having the agency to have their own gaze to contrast the male gaze.
  • Could be interpreted negatively  as she appears stubborn and not wanting to conform 
  • HOFD hats (trinagular imagery- contrast to circular imagery at start) cover their faces and connote mystery and enigma 

EDITING: 

  • Fast cutting rate- similar to echo game sequence
  • Long tracking shots 
  • Action reaction shots 
  • Montage editing 
  • Slow motion- blades being thrown 
  • Heavily edited 
  • CGI used to enhance  
  • Continuity editing- linear sequence 
  • Changes pace- slows down to show different in romance genre

REPRESENTATION:

MEI:

  • Uses bamboo to fight- well trained- using her environment to her advantage- resourceful 
  • Damsel in distress- put in a challenging situation and unfair disadvantage as she is overwhelmed by government assassins 
  • Positions female characters as strong- House of Flying Daggers and Mei are seen as experienced warriors  
  • Femininity- self-reliance and sufficiency undercut by reliance on male character Jin 

JIN:

  • Jin- extreme low angle- power and heroic character of the scene 
  • Shows his character arch
  • Link to opening sequence contrasts Jin in the opening and his character arch over time- he steps in to help whereas in the opening he is the cause of the disruption 

GENRE:

  • Bamboo homage to Chinese cinema 
  • Editing pace slows down in certain parts to show the romance genre- camera lingers on Mei and Jin’s expression towards one another as they are trapped by bamboo 
  • Fast editing rate and fast cuts- jarring and disrupted editing to show fighting combat sequence 

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