House of Flying Daggers: Bamboo sequence analysis notes
CINEMTOGRAPHY:
- Changing camera angles- mainly low angles POV shots of Mei looking up into the trees
- Close ups of bamboo splitting
- Tracking shot of Mei and Jin running through forest- aligned with the change in protagonists- Jin shows character arch as audience aligns with his POV
- POV tracking shot using a hand held camera running through forest – adds to enigma and mystery of the scene as we don’t know who’s POV it is
- Closeups of their faces when they are trapped in the bamboo- intimate moment as they are both confined to the same space- at this moment they share a common interest of helping one another
- Camera tracks a prop (dagger) similar to lotus seed in opening sequence
- Camera tilts/ Dutch angles- disorientating/ confusion shows how Mei is caught off guard
MISE EN SCENE:
- Green colour pallet- Jin stands out in his blue/purple robe
- HOFD/ Mei wear green costumes- connection with environment and nature – matching it because that wear they feel most at comfort
- HOFD costumes blend in with nature- juxtaposition shade of green
- Government assassins’ costumes- authority marked by gold symbols on the back of their costumes to shown the government corrupt
- Bamboo- trapped in a maze/ labyrinth
- Mei obscured by the trees to make it feel like they are being spied upon- foreshadows how the HOFD will rescue them
- Voyeurism – presents an enigma as it is unclear who is spying on who (HOFD or Tang assassins)
- Mist- reinforces idea of battle ground. HOFD function outside of society in the peripheral. HOFD outside of scene- its own setting not conformed to society
- Close ups of characters framed within triangles and lines- trapped
- Triangular imagery- connote swords and blades
SOUND:
- Close sonic perspective of Mei breathing heavily- links back to action sequences/ align with Mei
- Close sonic perspective bamboo echoing
- Close sonic perspective sword chopping bamboo
- High pitched whistling of flute- Chinese traditional music culture and links to opening sequence
- Exaggerated sound to enhance sound of bamboo- environmental sounds
- Conflict in sound- environmental sounds/ unnatural mental sounds
- Rhythm
PERFORMANCE:
- Highly choreographed- mirrors opening dance sequence
- The government assassins are very robotic and all look similar/ dressed in same uniform- shows lack of freedom and expression in the dynasty/ dehumanisation
- Consistent and collaborative element to the choreography
- Pained expression on Mei’s face- has to maintain her façade as she faces death- not be able to look Jin in the eyes or tell him the truth
- Mei maintains façade of her blindness- She is loyal to HOFD and is resilient towards their cause
- Mei has had her gaze taken away- taking away her independence to cast her own gaze upon her suroundings and women having the agency to have their own gaze to contrast the male gaze.
- Could be interpreted negatively as she appears stubborn and not wanting to conform
- HOFD hats (trinagular imagery- contrast to circular imagery at start) cover their faces and connote mystery and enigma
EDITING:
- Fast cutting rate- similar to echo game sequence
- Long tracking shots
- Action reaction shots
- Montage editing
- Slow motion- blades being thrown
- Heavily edited
- CGI used to enhance
- Continuity editing- linear sequence
- Changes pace- slows down to show different in romance genre
REPRESENTATION:
MEI:
- Uses bamboo to fight- well trained- using her environment to her advantage- resourceful
- Damsel in distress- put in a challenging situation and unfair disadvantage as she is overwhelmed by government assassins
- Positions female characters as strong- House of Flying Daggers and Mei are seen as experienced warriors
- Femininity- self-reliance and sufficiency undercut by reliance on male character Jin
JIN:
- Jin- extreme low angle- power and heroic character of the scene
- Shows his character arch
- Link to opening sequence contrasts Jin in the opening and his character arch over time- he steps in to help whereas in the opening he is the cause of the disruption
GENRE:
- Bamboo homage to Chinese cinema
- Editing pace slows down in certain parts to show the romance genre- camera lingers on Mei and Jin’s expression towards one another as they are trapped by bamboo
- Fast editing rate and fast cuts- jarring and disrupted editing to show fighting combat sequence