ISP Week 22: Exam Practice questions

Exam practice questions (10,20 and 40 mark) on Pan’s Labyrinth, British film and Casablanca: With reference to ‘Pan’s Labyrinth, explore how cinematography makes meaning’ [10]- Opening sequence  In terms of cinematography in the opening sequence the camera uses a wide angled birds eye shot as it spirals into Ofelia’s eye. This is significant as itContinue reading “ISP Week 22: Exam Practice questions”

New Hollywood- Easy Riders and Raging Bulls documentary notes

Directors in New Hollywood: Martin Scorsese- Directed Mean Streets and Taxi Driver George Lucas- Directed American Graffiti. Had a $13 million budget for Star Wars- earned rights to a sequel that pathed his way to big budget films. Jack Nickelson Steven Speilberg- 28 years old when he started Jaws- Jaws was ovedue and has aContinue reading “New Hollywood- Easy Riders and Raging Bulls documentary notes”

Ridley Scott Auteur Theory- Blade Runner

Ridley Scott- Blade Runner Auteur Theory On going collaborations: Actors- Russell Crowe Composers- Hanz Zimmer, Marc Streintenfield Cinematography- John Mathieson Reoccurring: Horror, science-fiction, fantasy, historical events Strong female characters The unknown Main characters show strong mental strength to overcome physical weakness Identity and technology Colonisation Technical Codes (Visual effects): Use of smoke and other atmospheresContinue reading “Ridley Scott Auteur Theory- Blade Runner”

Blade Runner Context Notes

Blade Runner worksheet notes- contexts  Cinematography: Dystopian neo-noir fable Simultaneously high tech and decaying  High frame rate of street scenes  Effect of pulsating stilted to feel vivid  Dominating neon signs and lights Volumetric light and searchlights- reoccurring  Fog- enhance depth Sense of camera space Light and activity beyond darkness of frames World where privacy inContinue reading “Blade Runner Context Notes”

ISP Week 20: Blade Runner/New Hollywood essay

ISP Week 20 Notes: Less Narrative- Deckard’s moral motivations not clear. Open ending narrative- Not a concluded ending for Deckard. Social/political/historical Commentary- Social commentary predicted how LA is becoming more like the film. Subtle underlying political context about slaves and post Vietnam war/cold war USA and fear of technology. Historical context about post Vietnam andContinue reading “ISP Week 20: Blade Runner/New Hollywood essay”

Blade Runner Context- documentary notes

Blade Runner Contexts: ‘On the edge of blade runner’ – documentary P.K Dick ‘Do androids dream of electric sheep?’ Source material- Nazi diary ‘The screens of children…’ Hampton Francher- script 1st draft- $9 million interior set 7 month re-write (final $49 million budget) Michael Deeley- producer David Peoples- 2nd writer Harrison Ford ‘Indianan Jones’- bigContinue reading “Blade Runner Context- documentary notes”

ISP Week 19: New Hollywood

New Hollywood 1960-1980/1990 European influence Experimental style Less emphasis on narrative- lack of expert exposition/ open endings Problematic protagonist- morality/ motivation Film school TV influences Teen marketing Age restrictions- more sex and violence- given ratings High concept film Escapism and social/political commentary European influence: 50s and 60s: Italian- Neo realism – Rosselini and Bazin FrenchContinue reading “ISP Week 19: New Hollywood”

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