ISP Week 4- BOTSW Passive/Active Exam Question

Explore how far spectators respond both actively and passively to film. Illustrate your answer by close reference to your chosen film. (20 marks)  In the film Beasts of the Southern Wild, a spectator may respond both actively or passively to the film, interpreting different ideological viewpoints and aligning with the characters. Firstly, in terms ofContinue reading “ISP Week 4- BOTSW Passive/Active Exam Question”

ISP Week 4- BOTSW Critical Reviews

ISP Week 4: Beasts of the Southern Wild critical reviews  https://www.theatlantic.com/entertainment/archive/2012/08/what-beasts-of-the-southern-wild-really-says/261228/ : ‘Glorifies poverty and recklessness, but it’s actually a nuanced look at how peoples’ worldviews are tied to where they came from.’  ‘It portrays the poor community as too vibrant or too joyous’.   ‘The film never adopts the perspective of the city dwellers. Instead, itContinue reading “ISP Week 4- BOTSW Critical Reviews”

Beasts of the Southern Wild Spectatorship question

200 word response in class- Analyse the cinematography in BOTSW and how it convey’s genre and point of view? In Beasts of the Southern wild, cinematography is used to show genre and establish point of view. For example, in the opening sequence we see the world from Hushpuppy’s eye’s by being continuously positioned with herContinue reading “Beasts of the Southern Wild Spectatorship question”

ISP Week 27: Beasts of the Southern Wild exam Q

Beasts of the Southern Wild 20 mark question  20 mark question with reference to the contemporary American film, ‘Beasts of the Southern wild’:   ‘To what extend do the films you have studied engage with the political/philosophical concerns of the early 21stCentury.‘ In this essay I will be discussing how the contemporary American film ‘Beasts ofContinue reading “ISP Week 27: Beasts of the Southern Wild exam Q”

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