Category Archives: Class Notes
Casablanca: Opening sequence- context and Auteur theory notes
Classic Hollywood…Casablanca: Opening sequence- context and Auteur theory class notes:
Michael Curtiz- director of Casablanca
An introduction to Michael Curtiz- Director of Casablanca Auteur signature: Dolly Snappy dialogue Shadows- German expressionism Theme of moral rehabilitation Curtiz as a director: (notes) Excellent performances director- strong performances (star maker) and snappy dialogue European experience- Hungary, France, Germany Influenced by German expressionism Wide range of genres Exacting standards- high detail in planning FrequentContinue reading “Michael Curtiz- director of Casablanca”
ISP Week 15: Introduction to Classic Hollywood
Week 15 ISP: Introduction to Hollywood 1930-1960: Auteur Director vs Hollywood Studio system: The Auteur theory- Reflects a director’s creative style or vision, including reoccurring themes, and visual effects, in this case the director is also known as the author of the film. Characteristics of the Auteur Theory include: (these all revolve around aesthetics) RecognisableContinue reading “ISP Week 15: Introduction to Classic Hollywood”
Under the skin: Ending Sequence- class notes
Under the skin- British Film- Ending sequence notes
Under the Skin: Opening Sequence- class notes
British Film: Under the Skin (2013- Glazer) Opening Sequence- class notes:
Moon: Ending Sequence- Class notes
Moon: Ending sequence. Film form, meaning and representation- class notes.
Moon: Middle Sequence- class notes
Moon: Middle sequence (fight scene) – class notes
Moon:Opening sequence- Class notes
Moon: component 1- section C- British Film Opening Sequence- Class notes on film form, representation and contexts.
Pan’s Labyrinth: Ending sequence- class notes
Week 5 class notes- Pan’s Labyrinth – Ending sequence (last 10 minuets) Film Form:
Emma Coe Film Studies 