Exam practice questions (10,20 and 40 mark) on Pan’s Labyrinth, British film and Casablanca: With reference to ‘Pan’s Labyrinth, explore how cinematography makes meaning’ [10]- Opening sequence In terms of cinematography in the opening sequence the camera uses a wide angled birds eye shot as it spirals into Ofelia’s eye. This is significant as itContinue reading “ISP Week 22: Exam Practice questions”
Category Archives: Component 1
ISP Week 17: Recap questions and Hollywood research
Week 17 ISP: Pan’s Labyrinth and British film questions. Explore the use of performance in ‘Pan’s Labyrinth’ (10 marks)- Pale man sequence In terms of performance within the Pale man sequence of Pan’s labyrinth, the pale man is presented as a repulsive and intimidating character as we see him take in a deep breath afterContinue reading “ISP Week 17: Recap questions and Hollywood research”
Under the skin: Ending Sequence- class notes
Under the skin- British Film- Ending sequence notes
ISP Week 14: Compare Under the skin and Moon
Week 14: ISP- Compare Under the skin and Moon Make a list comparing and contrasting the film language, representation, narrative structure and ideological references/ideas between the opening, key scene and ending of ‘Moon’ and ‘Under the Skin’. Narrative: Montage Editing– Both Under the Skin and Moon use montage editing to show a sense of chaos and buildContinue reading “ISP Week 14: Compare Under the skin and Moon”
Under the Skin: Opening Sequence- class notes
British Film: Under the Skin (2013- Glazer) Opening Sequence- class notes:
ISP Week 11: Moon- film form and binary opposition
ISP Week 11: Film Form (10 markers) Ending sequence- Moon Cinematography: In terms of cinematography used in the ending sequence of the film Moon, lighting is used to mimic the new Sam’s emotions. In the film, the new Sam drives up to the harvester in the dark, however after the old Sam loses consciousness, we seeContinue reading “ISP Week 11: Moon- film form and binary opposition”
Moon: Ending Sequence- Class notes
Moon: Ending sequence. Film form, meaning and representation- class notes.
ISP Week 10: Moon- Middle sequence Binary oppositions
ISP Week 10: Moon- Binary oppositions (Middle sequence) Explore how binary oppositions contribute to dramatic conflict in ‘moon’. [20] In the film Moon, dramatic conflict is explored through binary oppositions within the performance. In this, the new Sam is constantly compared and seen as different to the old Sam, through their opposite viewpoints and motives.Continue reading “ISP Week 10: Moon- Middle sequence Binary oppositions”
Moon: Middle Sequence- class notes
Moon: Middle sequence (fight scene) – class notes
ISP Week 8: Moon Opening Sequence Binary Opposition
Week 8 ISP- Moon 20 marks: How are binary oppositions used in the opening of ‘Moon’ to create meaning? Binary opposition in Moon is used to create meaning through the use of Marx’s theory, for example the binary opposites of the company vs the worker. This represents how the working class is exploited by larger companiesContinue reading “ISP Week 8: Moon Opening Sequence Binary Opposition”
Emma Coe Film Studies 