Exam questions: on Pan’s Labyrinth, Moon, Under the skin, Casablanca and Blade Runner Select one film form element and explore how it makes meaning in ‘Pan’s Labyrinth’. Marks will be awarded for exploration of social/political contexts and/or aesthetic effects. [20 marks]- mise en scene In this question I will be showing how mise sen sceneContinue reading “ISP Week 26: All category Exam questions”
Category Archives: European Film
ISP Week 22: Exam Practice questions
Exam practice questions (10,20 and 40 mark) on Pan’s Labyrinth, British film and Casablanca: With reference to ‘Pan’s Labyrinth, explore how cinematography makes meaning’ [10]- Opening sequence In terms of cinematography in the opening sequence the camera uses a wide angled birds eye shot as it spirals into Ofelia’s eye. This is significant as itContinue reading “ISP Week 22: Exam Practice questions”
ISP Week 17: Recap questions and Hollywood research
Week 17 ISP: Pan’s Labyrinth and British film questions. Explore the use of performance in ‘Pan’s Labyrinth’ (10 marks)- Pale man sequence In terms of performance within the Pale man sequence of Pan’s labyrinth, the pale man is presented as a repulsive and intimidating character as we see him take in a deep breath afterContinue reading “ISP Week 17: Recap questions and Hollywood research”
ISP Week 9: Pan’s Labyrinth
Week 9 ISP: Pan’s Labyrinth Review and complete your 20-mark analysis of one part of Pan’s Labyrinth exploring the aesthetic experience of the film- Pale man sequence. In the Pale Man sequence of Pan’s Labyrinth aesthetics are explored through gender and age. In the scene fallopian imagery is used, through mes-en-scene, in Ofelia’s story bookContinue reading “ISP Week 9: Pan’s Labyrinth”
ISP Week 7: Pan’s Labyrinth Ending Sequence- Film Form
Week 7 ISP: Ending sequence Pan’s Labyrinth: Film Form elements (10 markers) Cinematography: In terms of camera within the cinematography used in the ending sequence of Pan’s Labyrinth, the point of view constantly changes between Ofelia and Captain Vidal along with the camera angle. This is used within the sequence to represent chaos and disorientationContinue reading “ISP Week 7: Pan’s Labyrinth Ending Sequence- Film Form”
ISP October Half Term- Pan’s Labyrinth Questions
ISP October Half Term- Pan’s Labyrinth 1- Pan’s Labyrinth Questions: What does Pan’s Labyrinth have to say about storytelling and belief in stories? Pan’s Labyrinth presents storytelling as positive through the imagination of Ofelia. Throughout the younger generation, Ofelia, is shown to believe in these stories whereas the belief is lost in in adults. ForContinue reading “ISP October Half Term- Pan’s Labyrinth Questions”
ISP Week 6: Pan’s Labyrinth Pale Man Sequence Essay
ISP Week 6: Pale Man sequence- Pan’s Labyrinth Essay – European film. This essay will reflect the film form elements and context of the Pale Man sequence in Pan’s Labyrinth. This sequence was made to reflect the extreme fascism and hubris power of Franco’s rule during the Spanish civil war shown through a fantasy worldContinue reading “ISP Week 6: Pan’s Labyrinth Pale Man Sequence Essay”
ISP Week 5: Pan’s Labyrinth Opening Sequence Essay
ISP Week 5: Opening sequence to Pan’s Labyrinth Essay – European film. The film Pan’s Labyrinth was made to reflect the extreme fascism and hubris power of dictatorship during the Spanish civil war shown through a fantasy world and the perspective of young girl Ofelia in which she seeks comfort in her beloved fairy-tales. InContinue reading “ISP Week 5: Pan’s Labyrinth Opening Sequence Essay”
ISP Week 3- Del Toro’s Film Production/ colours
ISP Week 3: Del Toro’s Film production: Q-Make notes on the typical style, tropes, themes and aesthetics of Del Toro’s films. complete a list of bullet points and use still images from the video to illustrate your points. STYLES Uses visual storytelling to convey feelings of characters to audience instead of using masses of dialogueContinue reading “ISP Week 3- Del Toro’s Film Production/ colours”
Emma Coe Film Studies 