Strike: Ending sequence- analysis notes:
Category Archives: Strike
Strike: Middle sequence analysis
Strike: Middle sequence- analysis notes: Explore how film form devices are used to convey messages in the film you have studied Film form is used to convey political ideology in the silent film ‘Strike’ through propaganda in order to promote the unity of the working class and address the masses and proletariat. Firstly in regards to theContinue reading “Strike: Middle sequence analysis”
Strike: Opening Sequence analysis
Strike: Opening sequence- analysis notes: Why might expressive tendencies have emerged within the silent film period? Plan: Bazin’s realist theory: He believed that realism was the only way to make true cinema No fancy camera work, shots on location with real people He presented a new take on cinema to compete with German Expressionism andContinue reading “Strike: Opening Sequence analysis”
Strike: Silent Cinema
Strike (1924) by Sergei Eisenstein Propaganda and ‘Cinema of Attractions’ Eisenstein was a Russian and global film maker- one of the pioneers of silent soviet cinema Later the same year, Battleship Potemkin was released Widely available- Youtube Political Contexts: Depicts a strike in 1903 by factory workers Reflects mass political and social unrest that ledContinue reading “Strike: Silent Cinema”
ISP W19: Soviet Montage Cinema and Sergei Eisenstein
ISP W13: The Russian Revolution Research
Historical contexts on Sergei Eisenstein’s ‘Strike’: 19/20th Century Russian history The Russian Revolution 1849- 1939 Nicholas II – last emperor of Russia ruled from 1894-1917 Huge Russian empire Late 19th century – rapid industrialisation Introduced communist ideas like Karl Marx theory- working class of Russia demanding greater representation Communism wanted to abolish social classes (e.g. no priests or kings)Continue reading “ISP W13: The Russian Revolution Research”